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Graveyard Sparrow
Kayla Bashe
Release date: July 22, 2015
Blurb:
Katriona Sparrow,
dubbed the Mad Heiress by London’s upper class, is the deceptively fragile ward
of a foreign nobleman. She can’t stand making small talk with strangers, but
she’s unparalleled when it comes to deciphering the dead.
On a routine
investigation, something goes horribly wrong, leaving Katriona catatonic in an
upscale hospital and a serial killer with an artistic bent stalking London’s
most vulnerable.
Enter Anthea
Garlant, a young witch and academic ostracized from polite society for
traveling the world without a chaperone. She devises magical treatments to
protect Katriona from the side effects of her abilities, but as she grows more
and more attached to Katriona, her professional façade begins to slip.
Will they be able
to stop the man who turns beautiful dead women into works of art before he
turns his attention much closer to home?
Previously
published through Kindle Unlimited.
84
pages, 33,700 words
Categories: Alternate
Universe, Bisexual, Crime Fiction, Fantasy, Historical, Lesbian Romance,
Romance
Publisher: Torquere Press
Cover
Artist: BSClay
Excerpt:
She was so
beautiful that she looked as if she was only sleeping, but clearly she’d cried
tears of blood. She was dressed in clothing that appeared expensive but was
cheaply made; a poor girl wanting only for a day to live beyond her means. From
far away, she seemed to wear pearls and sapphires. Up close, the pearls were
her teeth, and the sapphires were her plucked-out eyes. And the golden sash
around the waist of her plum-colored taffeta gown? It was made of hair. She
also wore a heart-shaped locket, clearly her own. Although tarnished somewhat,
and made of much cheaper material, it was of a similar design to Anthea’s,
provoking an odd frisson of familiarity. Whatever our profession, whatever our
station in life, we’re all women, Katriona mused as she crouched beside the
corpse. And if one of us is in danger… then we all are.
“The gloves are
made from his previous victim’s skin, by the way,” pointed out a constable. “At
least, they’re the same color.”
The girl’s mouth
had been filled with dirt; the sort of unremarkable dirt that could have come
from anywhere in London. Some of it was smeared across her chin. In her lap,
she held another girl’s head.
“Salome and the
head of John the Baptist.” That came from Anthea, who was tilting her head at
the scene.
“Sorry, what?”
Inspector Claybrook looked up from the body.
“The sash, the
gown… if you look at the pose and jewelry alone, it’s an exact replica of one
of the paintings in the Louvre.” Before anyone asked her how she knew that, she
added “When I’m in Paris, I go there often to clear my mind.”
“This is his art,”
Katriona murmured thoughtfully. This woman would offer her another piece of the
puzzle, she was sure of it.
“I’ll hold your
gloves for you,” Anthea said in an undertone.
Katriona removed
them and held them out with an almost imperceptible nod. Anthea transferred
them to her reticule.
There were still
other people around, but for all intents and purposes, it had become just
Katriona and the corpse. This small, powerful figure was radiating something
inexplicable—still delicate, but somehow frightening. Her eyes were so blue
that they could drown a man.
She touched the
decapitated head first. I had a dog. I
had a dog. Who will feed my dog?
“I’m sorry, but
that’s all I can get. She’s been dead for days. She’s well-preserved, but I can’t
read her. I suspect it’s from the same woman we found the other day, but…” If I
died, she thought, I’d be so afraid for Sentinel. She felt closer than ever to
this dead girl, the one whose name she did not know.
“At least it was
only a whore,” a constable murmured behind her. Instantly Katriona wanted to
tear off his head and eat him whole.
Men! They visit prostitutes, yet they look down on
them. None of these girls deserve to be told “Your friend is dead” by an
uncaring and contemptuous man.
Katriona made an
impulsive decision. She crouched further over the corpse, using her body to
shield her movements, and ripped the heart locket from her neck, tugging until
the cheap chain broke. Surreptitiously, she dropped it into her white kid boot.
Next, she ran her hands through the woman’s curly dark hair. Her voice changed,
becoming noticeably less cultured; now there was a rich warmth to it and a
Cockney accent.
“I’m really
excited because I’m getting paid extra to spend the night with a man where he
lives instead of where I live. Maybe I can pocket something good on the way
out. He’s real handsome. Smooth hands, long fingers... so then I said, do you
want a brush, then? And he said, he said, ‘Have a drink’. He offers me…
something. Dunno what it is, never had it before, but I’m excited. When I wake
up, I’m—”
Katriona wavered,
but held her grip on the memories. She would follow this to the end.
“—I can smell
earth. ‘Run, little rabbit,’ he says. ‘Run
away from the hunter’s horn.’ But I’m not running; it’s too dark. Blacker than
night. Rather die than be in the dark, than lose my way in the dark down in the
earth. I fight like a tiger. I try to scratch his face but he grabs my wrists
and—God, he’s strong! Kick him in the jewels and he moves out of the way—too
damn fast, too damn fast—where’d he go? Hands around my neck—squeezing the life
out of me—I can’t breathe! Please don’t kill me. Please, no, no, no… Now I’m
afraid but I’m angry, and I hold his gaze until my eyes roll back. He told me I
made a mistake, I deserved to die because he couldn’t have imagined the girl he
loved saying such dirty things.
“‘You’re too
wildly sexual.’ That’s what he said. And he beat me where the bruises wouldn’t
show. I fought like a tiger; tell them I fought. Salome with her head in her
hand and her mouth full of dirt—this is his art!”
All at once,
Katriona’s aura of power seemed to startle back inside her skin. Her eyes
opened. She lurched backward, wide-eyed and pale. Anthea was at her side at
once, and Katriona held onto her for stability.
“Are you going to
be all right?” Anthea’s voice was as low and mesmerizing as ever—as beautiful
as a hypnotist’s—and Katriona followed the sound of it as it led her out of her
fear. She buried her head in Anthea’s neck, taking in the twin fragrances of
jasmine and bergamot. Anthea made her feel like the best and strongest version
of herself, a little less neurotic and a little more rational. She thought she
wanted Anthea around for the rest of her life.
A flash of
thought: If she holds onto me any longer,
people will think we’re betrothed.
Did it come from Anthea or from her? She couldn’t quite care, couldn’t
tell. Reluctantly, because Katriona knew what it was like when people held onto
her too tightly or for too long, she let go.
Anthea repeated
the question. “Are you going to be all right?”
“Yes.” Now that you’re here.
You can find Graveyard Sparrow here:
Let’s talk about Kayla:
Kayla Bashe is a
literature/theater student at Sarah Lawrence College. She has previously
self-published several novels, and her story A Muse Afire was featured in the
first issue of Vitality Magazine. Her passions include Shakespeare, feral cats,
and answering “If you want more diversity, write it yourself!” with a variety
of snark.
Find Kayla Bashe here:
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